Narrowing the display to a specific file type, such as JPEG, TIFF, XML, AAF, and more.Auto sensing of camera data-AVCHD, Canon XF, P2, RED, Arri, Sony HDV, and XDCAM (EX and HD).The major benefits of the Media Browser include the following: Because it’s a dedicated panel in Adobe Premiere Pro, you can save it to a specific workspace or move it around so it lives in a different part of the interface. You can also quickly access it by pressing Shift+8. If you want to access a second project, you have to import it.īy default, you’ll find the Media Browser in the lower-left corner (if your workspace is set to Editing).
Adobe Premiere Pro permits only one project to be open at a time. Yes, Adobe Premiere Pro projects and After Effects projects can be imported into the Project panel as well. Being able to see this meta-data makes it far easier to select from long lists of files or shots. Not only does it display the files in a straight list, but it also adjusts the view using the metadata. Its flexibility makes it superior to the standard file system import. Our favorite import method, by far, is the Media Browser ( Figure 4.3). Just make sure there is no difference in the new asset, such as duration or frame size. If you replace an old file with a newer one (and match the name), Adobe Premiere Pro can connect to the new asset. Consider renaming or removing old files at the desktop level. There are too many stories of different versions of a graphic and editors being unsure of which one was being used. Any external materials to Adobe Premiere Pro will then live with the project. Although Adobe Premiere Pro can import files and footage from anywhere, it’s best to copy files and footage into a folder within the project. You’ll be able to go back to the “virtual tapes” if you ever need to reload. Be sure to create a verified copy or disk image of your tapeless media in your project’s folder. Here are a few key techniques to remember: Good editors start organized and stay organized from the beginning to the end of the edit. Who knows exactly what corners you cut last month (or last year).
Nowhere is that statement more true than when you’re importing footage.
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